Music Research Newsletter – 42

Music Research News Letter -42



I] Seminars and Events

1) South Asia Regional Conference 2017 Conference of the ISME:

The International Society for Music Education (ISME), is a worldwide organisation for music educators, affiliated to the International Music Council and UNESCO, with a presence in over 80 countries around the world. ISME conducted The South Asia Regional Conference 2017, in Bengaluru, India, between 27th and 29th November 2017 at the National Institute of Advanced Studies (NIAS), IISc Campus and saw the participation of several international scholars, musicians and music educators.

For more details, please visit the Facebook page

2) Seminar: ‘Beyond the Rasa Theory: New Directions in understanding the Natyasastra’:

Indira Gandhi National Centre for the Arts, Regional Centre, Bengaluru & National Institute of Advanced Studies (NIAS), Bengaluru are conducting a joint seminar ‘Beyond the Rasa Theory: New Directions in understanding the Natyasastra’ on the 8th of December, 2017 at NIAS, IISc campus, Bengaluru. This seminar, by connecting Indian aesthetics, psychology and cognitive sciences will explore new frontiers of interdisciplinary investigation into the Natyasastra. It will attempt to prominently place the classical value, imagination and experience of the Natyasastra by focusing on the text, theory and experience of rasa with the goal of building and bridging contemporaneity in psychology, cognitive sciences and Indian aesthetic traditions. 

For more details, please visit the website

3) International Conference: ‘DEMETRIOS GALANOS AND HIS LEGACY: Indo-Greek scholarship 1795-2018’:

An international conference is being organized by Dr. Bharat Gupt under the ‘Bharat Vidya Prayojana’ project of Indira Gandhi National Centre for the Arts (IGNCA) titled “DEMETRIOS GALANOS AND HIS LEGACY: Indo-Greek scholarship 1795-2018” in two places, New Delhi (on 3rd and 4th February, 2018) and at Bharat Adhyayana Kendra of BHU, Varanasi (8th, 9th, 10th Feb 2018). The IIC, New Delhi, Bharat Adhyayana Kendra of BHU, Varanasi, Indo-Hellenic Friendship League, New Delhi and Embassy of Greece are active collaborators in the event.

The IGNCA has undertaken to revive the memory of Demetrios Galanos (1760–1833), the Greek Indologist, to further focus on an age long tradition of scholarly and creative exchanges between India and Greece by several academics and artists both Indian and Greek, in modern times. It is also proposed to invite some Greek musicians who will present their art at dedicated concerts, in addition to giving presentations in lecture-demonstration style. The specific aim of the events is to review and record the cultural contributions of Greeks and Indians from Galanos to the present.

Please click on the link for further details.

For queries, please write to or contact Mr. Arun Kumar  (9013051165/8368388489).

Any queries to will not be entertained.

II] Request for Proposals

India Foundation for the Arts (IFA) invites project proposals for arts education from government school teachers in Karnataka, for their schools. This call for application falls under the Kali Kalisu initiative that aims to forge collaborations between teachers, local artists, and the school community.

The Application Deadline is January 12, 2018. Draft proposals may be sent on or before December 23, 2017.

Please visit the website for more details.  

Please address your application or any queries to or write to:

Krishnamurthy T N
Programme Executive, Arts Education
India Foundation for the Arts,
‘Apurva’, No 259, Ground Floor, 4th Cross,
Raj Mahal Vilas 2nd Stage, 2nd Block,
Bangalore – 560 094
Phone: 080 2341 4681 / 82

Any queries to will not be entertained. 

I] Book Releases

A] ‘Mathematics of rhythm structures of Karnatic percussion- mridanga and dance’ (ebook) by M. Siddharta Bhatt

The description and details of the book given below have been taken from the url  :

The book is written with the primary aim of presenting the generic construction of Mohras (penultimate faran based rhythm structures) and Mukthayas (terminating rhythm structures) of Karnatic percussion from the basic building blocks (sequence strings) with illustration through sufficient examples of how to go about them. The basics of thekas (rhythmic beats), farans or urutals (rapid drum rolls), punctuations (resonant pauses), khalis (blanks) and Ta Dhi° Gi Na Thom strings (slow speed urutals) are described. The concepts of Talas (music meter or claps), akshara jati (string size), nadai (string size per beat), aksharas (syllables or pulses), matras (beats), avartana (cycle), kala (tempo), etc. are portrayed. The acoustics, structure, shruti (base pitch), raw sounds, strokes and konnakol (verbal rendering) of Karnatic mridanga are depicted. Tempo modulation and landing points of resolution are also explained.
In the introductory chapter the historical developments, list of books written on mridanga, roll call of honour, list of percussionists, Padma and Sahitya award winners is enumerated. Some issues of the percussion fraternity are also show caused. 

Type: e-book
Genre: Music
Language: English
Price: Rs.100.00

The book can be purchased on-line from the above website.

B] ‘Apurva Raga-s formulated by ‘Harikesanallur’ Dr. L. Muthiah Bhagavatar’ by Dr. Vyzarsu Balasubrahmanyam

We would like to thank Dr. Vyzarsu Balasubrahmanyam for providing us the following details of the book:

About the Book:

Amongst the post Trinity composers, Harikesanallur Dr. L. Muthiah Bhagavatar has the credit of having composed the largest number of compositions, numbering nearly 400. He has composed not only in popular raga-s but also in some rare and apurva raga-s. While some of these apurva raga-s were his own creations, the others were known by names earlier, but given a definite shape for the first time by him through his compositions.

The book, ‘Apurva Raga-s formulated by Harikesanallur Dr. L. Muthiah Bhagavatar, is a critical analysis of the Composer’s contribution to Carnatic Music in the form of revival and creation of these rare raga-s and the compositions written in them. The subject matter is in the nature of a detailed study about the various aspects of Raga-s and the treatment of these Raga-s through many of his compositions. The appendix contains the notations of these compositions transliterated to English from the books in Tamil script as published by the Indian Music Publishing House, Madras.

Publication Details:

This book has been published by ‘Bhairavi Sangeeta Academy’ in the year 2017 at Hyderabad and costs Rs.500/-. It is available at the address given below:

Bhairavi Sangeeta Academy, 102, Vertex Paradigm,

Nandini Hotel Building, Opp. Shankar Mutt

Nallakunta, HYDERABAD – 500044

Phone: 9866786829


About the Author:

‘Sangeetacharya’ Dr. Vyzarsu Balasubrahmanyam, armed with 2 Doctoral degrees in Carnatic Music (Vocal), is an eminent Musician, Musicologist, Composer and Guru who has been highly acclaimed, nationally and internationally, for making commendable contribution to various facets of music.

II] Links to websites:

A] Recordings:

The following links are being presented in order to highlight some interesting features of the music of a few yesteryear instrumental artistes:

1) Artiste: RK Srinivasamurthy, song: ‘Ōḍi bārayya’ in rāga bhairavi, ādi tāla

About the artiste: Vidwan R K Srinivasa Murthy (1935 – ), a Vaiṇika was the eldest son and disciple of Vidwan Sri. R. S. Keshavamurthy (1903 – 1982), Āsthāna Vidvān of the Mysuru court. Sri Keshavamurthy was the main disciple of legendary Vidwan ‘Veene’ Subbanna (1854 – 1939).

About the recording: The ālāpana playing is characterized by a profusion of strong mīṭu-s and fast phrases played by splitting of fingers. An example of this is the set of fast phrases starting with ‘r g M g r g r s n d n s r s R g m g r’ at 1.39. The effect of gamaka-s like orikai, sphuritam and ravai seems to be accomplished by splitting of fingers – for example in the phrase ‘R G M P d p p M p m g r ‘ starting at 9.33, an ‘orikai’ gamaka-like effect is felt on the svara ‘ma’ by the splitting of fingers and not by pulling the string laterally. Some gamaka-s are also played by pulling of the string. A couple of phrases that seem unusual are heard – ‘m m N p d N d p – P n d p d P m G’ with only śuddha ‘dha’ (and no catuḥśruti ‘dha’ in ‘p d N’) is heard starting at 9.08 and an elongated catuḥśruti ‘dha’ is heard in the phrase ‘P D p d N’ in the caraṇa of the song at 13.37.

2) Artiste: Budalur Krishnamurthy Sastrigal, song: ‘amba kāmākṣi’ in rāga bhairavi, miśra chāpu tāla

About the artiste: Budalur Krishnamurthy Sastrigal (1894-1978) was a gōṭṭuvādyam vidwan and the disciple of the disciple of the legendary musician of the 19th century – Koneri  Rajapuram  Vaidyanatha  Iyer.

About the recording: The gōṭṭuvādyam uses a sliding bar for pitch variation. The hissing sound that is normally generated when the bar slides over the string seems to have been very dexterously suppressed by the artist. The artist is able to make the melodic expression very close to that of a Vīṇā, for example at 4.02, the effect of the ‘orikai’ gamaka on ‘ma’ seems to be heard in the phrases ‘P m g R s’. The bhairavi in his playing, with regard to the handling of svara-s like ga, ma and (sud)dha, display some melodic shades that seem to have undergone transformation in the subsequent years. For example, in the phrase ‘S r g m p’ and ‘g m P d n s’ at 2.00 and 5.43 respectively. In the phrases ‘n s r g m P – s r g m p D’, starting from 9.13. The śuddha ‘dha’ is played with a shake in the phrases ‘N N d P’ and ‘ s n d p’ at 4.01 and 5.47 respectively. In the phrase ‘D n S’, there is a jāru gamaka starting from ‘ni’, this is seen at 8.52, 9.40 and 9.50.

3) a) Veene Raja Rao and Veene Gopala Rao, song ‘praṇatārthi hara’ in rāga jhenjūṭi, khaṇḍa tripuṭa tāla

About the artistes: Veene Raja Rao (L. Raja Rao, 1909 – 1979) and Veene Gopala Rao (L. Gopala Rao, 1917 – 1968) where the sons and disciples of Vidwan Bhairavi Lakshimnarayanappa (1878 – 1934).

About the recording: We find that the sāraṇi string on the Veena is tuned to the pitch G. The composition and ālāpana have been played on madhyama śruti, as is the present-day convention for this rāga. The ālapana has a profusion of soft strokes and fast phrases played by splitting of fingers (e.g. those starting with ‘g m g r G at 0.38 . Gamaka-s such as sphurita (e.g . at 1.09 in the phrase ‘r g g m m P’), ravai (e.g. at 0.27, in the phrase ‘D s R s’, the anusvara ‘ga’ heard on ‘ri’, at 3.36, in the phrase ‘M d p M G’ – anusvara ‘pa’ heard on the second ‘ma’, and pratyāghāta (e.g. 3.18 – r g m g g r r s) are accomplished by splitting of the fingers and placing them on different frets.

b) Veene Raja Rao, song ‘Māyātītā svarūpiṇi’ in rāga māyāmāḷavagauḷa, rūpaka tāla

About the recording: The playing style is similar to that of the jhenjūṭi song rendering with much finger- splitting, but the pitch of the sāraṇi string has been reduced to D#.

B] Websites with historical information related to musical personalities:

1) The following website is dedicated to Sri T.B. Narasimhachar (Apri 15, 1915 – Nov 23, 1988), a music critic from Bengaluru who wrote music reviews under the pen name ‘Sāragrāhi’ – meaning connoisseur in Sanskrit).

Sri Narasimhachar was also one of the founders and the first secretary of the Malleswaram Sangeetha Sabha in Begaluru. The website contains historical information that may be of interest to musicians, researchers and music lovers.

2) The following website is dedicated to preserving and propagating the compositions of Sri Yoga Narasimham (1897 – 1971)

It has the following features:

  1. Full text and notation of all of Sri Narasimham’s compositions in Kannada, Devanagari and English
  2. Some compositions have audio files that can be downloaded
  3. Meanings of the compositions in English
  4. Foot notes written by the composer himself for some of his compositions
  5. Information about the composers other contributions to music

C] Websites pertaining to Haridāsa songs:

  1. The following website pertains to the Samagra Dasa Sahitya project by Directorate of Kannada and Culture, Govt. of Karnataka –
  2. This is a large online collection of Hardāsa songs with lyrics. There are videos for some songs –
  3. The website :
    • The following page contains lyrics of Haridāsa songs in English, Kannada, Sanskrit, Tamil and Telugu scripts –
    • The following page contains audio files of some Haridāsa songs –


V] Updates to Music Research Websites

A] Updates to the website (

The website ( is in the process of being merged with (MRL). The menu currently appears in the home page. The menu shall house research publications / links of a few veteran / eminent scholars and also house unpublished research contributions and publications that have been revised and submitted to MRL. All other contents of will be merged with MRL in due course.

B] Updates to the website (MRL)

Following are new additions in MRL in May 2017 – Dec 2017:

1] Articles in English:

AE-SandhyaShree-Teaching Methods-AkellaMSharma-NaadNartan-2017-0343
2] Articles in Hindi:





3] Articles in Tamiz:


4] Books in English:

5] Books in Tamiz:

6] Manuscript Catalogues:


7] Indexes:


8] Manuscripts:


9] Periodicals:

The following zip files contain several issues of periodicals, and replace the earlier individual issues placed on the website:


10] Source Texts:


11] Teaching Materials:

The following zip files replace the earlier individual files placed on the website:

12] Information about Periodicals (Journals and Magazines) in

The Tables of Content for the following periodicals for issues pertaining to May 2017 – Dec 2017 have been added in the website:

  • Samakalika Sangeetham –
  • Ganakala –
  • Sangita Kalavihara –
  • Sangita –
  • Sruti –
  • Shanmukha –

Arati Rao, Vidya Jayaraman and N. Ramanathan


Music Research Newsletter 41

Music Research News Letter -41



I] Featured Exhibit

The second in the series of the feature in our website – ‘Featured Exhibit’ is ‘Saṅgitaratnākara’.Saṅgītaratnākara is a 13th century text on ‘Saṅgīta’ written by Śārṅgadēva at Dēvagiri (present day Daulatabad in Maharashtra). Exhibit: Saṅgitaratnākara.

In Saṅgītaratnākara, Saṅgīta is defined as an art form that combines ‘Gītam’ (melodic structures created by voice and stringed and wind instruments), ‘Vādyam’ (syllabic structures created by skin covered instruments) and ‘Nṛttam’ (visual forms created by movements of the various limbs of the human body).

 II] Seminars and Events 

Seminar on Saṅgitaratnākara.

A seminar on the ‘Codification of the Textual and Oral practices of Śārṅgadēva’ was conducted by Bharatiya Vidya Bhavan, Delhi Kendra on the 27th and 28th of April 2017. The keynote address was given by Dr. K.D. Tripathi. The following papers were :

  • Anibaddha Gāna – Śārṅgadēva’s Exposition vis-à-vis Performance Practice Today – Krishna Bisht
  • Discovering Links with Oral Traditions of Dhrupad – Ritwik Sanyal
  • Understanding Saṅgitaratnākara’s Nartana Adhyāya through the prism of Kathak – Shovana Narayan
  • The Application of Swara scales from Vēda to Śārṅgadēva – Indrani Chakravathi
  • Impact of SR on Persian Works on Indian Musicology – An Exploratory View Point – Najma Parveen Ahmad
  • Before and After Śārṅgadēva’s Influence on the Concept and Practice of ‘Alaap’ – Richard Widdess
  • Possibilities of Exploring Lasyangas and Gharghara Through Present Day Odissi and Kathak – Parwati Dutta
  • A comparative study of Sālagasūḍa lakṣaṇa-s as seen in the Saṅgītaratnākara with Suḷādi notations of Thanjavur manuscripts – Arati Rao

III] Request for Proposals

Request for Proposals for IFA’s Arts Research Programme

India Foundation for the Arts (IFA) announces Request for Proposals for the Arts Research Programme. The Arts Research programme supports scholars, researchers, and practitioners to undertake research into the various histories and expressions of artistic practices in India. It seeks to foster wider perspectives, understandings, interpretations and engagements in the arts.

IFA invites proposals for our Arts Research programme from researchers and practitioners who are interested in undertaking research projects that investigate marginalised or relatively unexplored areas; intend to create spaces for dialogue between theory and practice; offer new readings/frameworks of artistic practices; and use interdisciplinary approaches to break new conceptual ground, among other things.

Deadline for the final proposal is June 15, 2017.

For more information, please contact

Tanveer Ajsi,

Programme Executive,

India Foundation for the Arts,

‘Apurva’, Ground floor, No 259, 4th Cross,

Raj Mahal Vilas, IInd Stage, IInd Block,

Bengaluru 560 094

Tel: +91 80 23414681/82



Any queries to will not be entertained.

IV] Announcements

A]  Academy for Dhrupad Music and Research ADMUR, Pune:

The fledgling academy ADMUR has been informally working on its objectives for the past two years.
1. Dhrupad & Dhammar rendition pedagogy
2. Research on all aspects of the musical form
3. Promote and Preserve the art’s pristine values

For more information about this academy, please visit the Facebook Page

B] Lectures on Nāṭyaśāstra at Kalakshetra

A series of 25 hours of lectures on Nāṭyaśāstra at Kalakshetra by Dr. Bharat Gupt, Former Faculty, Delhi University have been captured in 53 videos and are available on Youtube – the first of these can be viewed by clicking on the following link:

The lectures-interactions provided a detailed exposition of all the principles of performance in each of the 36 chapters of the Nāṭyaśāstra and related them to the present genres of performance such as plays, cinema and sculpture. The text and the ensuing discussion on it were made a springboard to analyze and contrast many classical ideas with Indian modernity not only in the area of performing arts but also in the approach to life as a whole.

Related paradigms of Hindu performance such as līlā, avatāra, caritra, gods as human, concepts of saguṇa and nirguṇa worship were closely related to the ethos of Nāṭyaśāstra performace. Limitations of religious cultures that do not allow mimesis of incarnation or depiction of holy lives were also discussed. Puritanic, secular or propagandist approaches to art, and drama in particular, were contrasted with the Vaiṣṇava ethos that allows full scope of depiction of the divine as human
and the human as divine.

V] Updates to Websites

A] Updates to the website (

Research articles have been added to and the details can be viewed on the home page of the website.

B] Updates to the website (MRL)

Following are new additions in MRL in February 2017 – May 2017

1] Bibliography:


2] Index:



3] Books:

Books in Bengali:






Books in English:








































Books in Kannada:

BkKn-BSChandrakala-Nijaguna-Svara- Sarita-0048




Books in Tamiz:




Books in Telugu:






4] Dissertations:


5] Periodicals:

184th- Sri-Swati-Thirunal-Jayanthi-Souvenir-1997


6] Source texts:

TxtKn-SathyanarayanaR-sangItaratnAkara-comm-nihSankahRdaya-1968-0001 (The earlier scanned images of the text spanning four files have been replaced by a single smaller file)










7] Manuscript Catalog:


8] Information about Periodicals (Journals and Magazines) in

The Tables of Content for the following periodicals for issues pertaining to Jan 2017 – May 2017 have been added in the website:

Arati Rao, Vidya Jayaraman and N. Ramanathan


Music Research Newsletter 40

Music Research News Letter -40



I] Featured Exhibit – ‘Music of Haridasas’

We have a new feature in our website – ‘Featured Exhibit’. We start with the exhibit of ‘Music of Haridasa-s’.

The Haridāsa movement emerged in South India in the 15th Century AD, with the main objective of propagating ‘Bhakti’ through devotional songs. However, the musical compositions of Haridāsa-s also brought about some seminal changes in South Indian music. The ‘Suḷadi Tāla-s’ employed in these compositions became very popular and were extensively used by other composers as well for the next few centuries.

Exhibit: ‘Music of Haridasas’

II] Profiles from

We would like to showcase selected profiles from academia that contain  research papers:

  1. Richard Widdess, Department of Music, SOAS, University of London.

His Specialisms
 are: Musicology of South Asia, including history, theory, analysis and social context of music in North India and Nepal; music and religion in South Asia; analysis of world music; music cognition, performance and meaning in oral traditions.
The papers and other publications of Prof. Widdess can be viewed at

  1. Saskia Kersenboom, Theatre Studies, University of Amsterdam. Her academic interests concern the performing arts and their global, Intercultural Translation. Her background in Linguistics, Theatre Studies and Cultural Anthropology includes longstanding training and performance practice in dance and music. The work of Dr. Kersenboom can be viewed at

III] Dissertations defendedOn November 17th 2016, Ajay Srinivasamurthy and Sankalp Gulati defend their PhD thesis, both carried out in the context of the CompMusic project. CompMusic is a research project funded by the European Research Council (ERC grant agreement 267583) and coordinated by Xavier Serra from the Music Technology Group of the Universitat Pompeu Fabra in Barcelona (Spain). It aims to advance in the automatic description of music by emphasizing cultural specificity, carrying research within the field of music information processing with a domain knowledge approach. The project focuses on five music traditions of the world: Hindustani (North India), Carnatic (South India), Turkish-makam (Turkey), Arab-Andalusian (Maghreb), and Beijing Opera (China).

Below are the details of the dissertations:

Ajay Srinivasamurthy: “A Data-driver Bayesian Approach to Automatic Rhythm Analysis of Indian Art Music”.

Thesis Committee: Simon Dixon (QMUL), Geoffroy Peeters (IRCAM) and Juan Pablo Bello (NYU)

The Thesis document, Abstract and Thesis presentation slides can be viewd at the companion page:

Sankalp Gulati: “Computational Approaches for Melodic Description in Indian Art Music Corpora”

Thesis Committee: Juan Pablo Bello (NYU), Emilia Gómez (UPF) and Barış Bozkurt (Koç Univ.)

The Thesis document, Abstract and Thesis presentation slides can be viewd at the companion page: the companion page:

IV] Updates to the website (MRL)

Following are new additions in MRL in October 2016 – January 2017

A] Articles:



B] Index:


C] Books:

Books in Tamiz:




Books in Telugu:





D] Information about Periodicals (Journals and Magazines) in

The Tables of Content for the following periodicals for issues pertaining to Oct 2016 – Jan 2017 have been added in the website:

V] National Seminar to commemorate the 1000th year of Acharya Abhinavagupta

Indira Gandhi National Centre for the Arts, New Delhi (IGNCA), Kalakshetra Foundation, Chennai and Bharat-Illango Foundation for Asian Culture, Chennai (BIFAC) jointly organized a National Seminar to commemorate the 1000th year of Acharya Abhinavagupta on the 24th and 25th of January, 2017. On the second day, the 25th of January, 2017, there were paper presentations on Natya by Dr. Padma Sugavanam, Dr. G. Sankaranarayanan, Dr. Jayashree Rajagopalan and Dr. N. Ramanathan. Following are the youtube links for the Natya sessions:

VI] International Consortium on Cognition and Culture

IGNCA Bengaluru and National Institute for Advanced Studies are jointly launching a first-of -its-kind academic consortium on culture and cognition. The consortium will serve an academic apparatus to foster interdisciplinary scholarship at the intersection of culture and cognition and serve as an inter-institutional platform for capacity building, advocacy and policy-making.…

The consortium invites applications for ‘Kalaatmika Research Initiative – NIAS-IGNCA Short-term Internship Programme’ with the vision of recruiting the brightest of young scholars to gain research experience with faculty associated with the consortium.

Applications are invited from the brightest minds of India!…/1FgO3qTvRH0NpefxxOlVK8NOD5O0…/edit

VII] Joint Conference on Feb 25th and 26th, 2017:

Sri Shanmukhananda Bharatiya Sangeetha Vidyalaya is holding a joint conference along with South Indian Education Society’s college of Arts, Science & Commerce, on “Indian Music : Cultural & Philosophical Perspective” on Feb 25 & 26, 2017 at the Department of Philosophy, University of Mumbai, Kalina.

We had circulated an announcement about this seminar earlier. Please note that the venue has changed to Somaiya Engineering Auditorium, Vidya Vihar, Mumbai 400077

For more information, please write to the organizers of the conference at the following email address: 
Any queries sent to will not be entertained.

VIII] Financial Assistance for Publishing Books:

  • The English and Foreign Languages University, Lucknow Campus offers financial assistance to authors. Further details about this can be seen at:
  • The Central Institute of Indian Languages offers financial assistance for book publication. Further details about this can be viewed at:

IX] Book Announcements:

  1. i) ‘Saṅgītaratnākara of Śārgadēva – A Study’ by R.Rangaramanuja Ayyangar, 2nd Ed., 2016, 558 pages, Hardcover

The second (revised) edition of Sri R. Rangaramanuja Ayyangar’s critical, analytical study of the classic has now been published by Vipanci Charitable Trust, Mumbai. Sri Ayyangar had written that the primary objective of his study of Sagītaratnākara was ‘to trace the development of Carnatic Music through various stages and locate the landmarks clearly’ and was ‘ not a translation, but a critical survey of the formidable array of musical data in the classic to assess their contribution to the development of Carnatic Music.’

The new edition, incorporates diacritical markings and includes several new facets based on contemporary studies. This book carries fresh, creative interpretations of the concepts of Tāla Prastāra; Naṣṭa and Uddiṣṭa methods; and Mēru charts.

Details of the book are available on the website . The various concepts of Tāla Prastāra etc., along with working examples, may be seen through this link: /ver3/sr_concepts.php.

  1. ii) 1950 varai tamizil veḷivanduḷḷa icai nūlgaḷ – by Dr. G. Leelavathy.

This book is in Tamiz . The English translation of the title is: ‘Music publications in Tamiz till 1950.’. Below are the details of the book:

Publisher: Sri Jnanananda Krpa, Chennai

Price: Rs. 500/-

Available with: Karnatic Music Book Centre, Chennai

iii) The Nayikas of Annamacharya: an interpretation for dance by Dr. Anupama Kylash.

Annamacharya or Annamayya is among the first hymnographers in Telugu. He is said to have composed over 32,000 songs out of which only 12,000 are available today. Though his songs have been adapted for dance, they are not yet as popularly chosen for Abhinaya, as those of some later Pada composers.

This book is an extract from the doctoral thesis of Dr. Anupama Kylash. The book contains four chapters which deal with the heroine or Nayika prototypes in the songs of Annamacharya and their adaptability to dance interpretation. In the process, the author has tried to look at the vast wealth of classifications provided in our ancient treatises on Alankara Shastra or Poetics, and have used these classifications as a backdrop or setting for the songs of Annamacharya enumerated upon here.

Below are the details of the book:

Price: Rs. 750/-

Copies can be had from:

Dr. Anupama Kylash

G-1, Phase-1, Metro Palmgrove Apartments,

Somajiguda, Hyderabad – 82

Mobile: +91 98482 37538


X] Launch of the App Shaale Abhyas:

Shaale Abhyas is an app which is a a practice tool for Carnatic music. It provides is a growing library of Carnatic (South Indian) music solos that music enthusiasts can enjoy listening to, percussionists / accompanists can practice along with. The following video gives more details about this app:

Further information can be obtained by contacting the Shaale team on +91-9886887106 or writing to or

XI] Launch of the website

This website is a platform for sharing and learning Karnatic Music. It has many notations, audio and video links, information about raga-s and tāla-s and articles. Users have a facility to share the Internet links their favorite audio/video links for kriti, raga, and tala renditions.

The following link gives 2-minute video tours for this website:

For more information, please write to e-mail: or contact Srikar at +91-9916135143

X] Obituary: Dr. S.A.K. Durga (1940-2016)

Demise of musician-scholar Dr. SAK Durga, in November 2016 has been a great loss to the academic world of music.

After learning Karnataka music from eminent musicians and also pursuing degree courses in music, Dr. Durga joined the position of Lecturer at the Department of Indian Music, University of Madras. After a few years she left for USA to pursue advanced studies. On return she set up her own Centre for Ethnomusicology in Chennai. She was quite active doing research and guidance and enthusiastically collaborated with many individuals and music institutions.

For more details about her please access –

Arati Rao, Vidya Jayaraman and N. Ramanathan


Music Research Newsletter 39

Music Research News Letter -39 



The following information pertains to research websites:

I] Shodhganga: is the digital repository of Indian Electronic Theses and Dissertations set-up by the INFLIBNET Centre (Information and Library Network Centre) of the University Grants Commission (UGC), Ministry of Human Resource Development, Government of India. Shodhganga replicates the academic structure of each University in terms of Departments/ Centres/ Colleges. This structure facilitates research scholars from universities to deposit their theses in the respective Department / Centre / College of the website.

The following are examples of theses pertaining to music available in this website:

  1. An analysis of the appropriateness of grouping Tyagaraja, Muthuswamy Dikshitar and Syama sastri as the trinity of karnatic music by Nirmita Narasimhan:
  2. A Comparative analysis of Music Education with its Implication for Improved Music Education in India by Vasantha L:
  3. An Indepth Study of Sankarabharana and Its Janya Ragas by Venkata Padma Chitti :

II] is a platform for academics to share research papers. The company’s mission is to accelerate the world’s research. Academics use to share their research, monitor deep analytics around the impact of their research, and track the research of academics they follow. 42,323,028 academics have signed up to, adding 15,349,174 papers and 1,928,330 research interests. attracts over 36 million unique visitors a month.

Research scholars may upload their papers on this website to share their research with scholars around the world for free.

III] Dissertations and Dissertation Lists in

Dissertations and lists of dissertations pertaining to music from various Indian universities have been uploaded on website. The links for downloading these are:

  • Dissertations:
  • Dissertation Lists:

Scholars interested in sharing their Ph.D., M.Phil. Dissertations or Dissertation Lists of their institutions through the website are welcome to send the soft copies of the same or link of their website to  

Updates to the website

The scanned files of notebooks containing notes prepared by Dr. Mrs. Leelavathy G. have been uploaded to the website These notes pertain to books on music in Tamiz at various libraries in Tamilnadu, made during scholar’s fieldwork as part of her research on the subject “Books on Music, in Tamiz, published till 1950).

These notebooks relate to the books at the following libraries:

  1. Tamil Nadu State Archives, Chennai.
  2. Maraimalai Adigal Library, Queen Mary’s College
  3. Sampradaya
  4. The Library at the University of Madras
  5. The Government Oriental Manuscripts Library.
  6. Roja Muthaih Research Library.
  7. Library of Sarasvati Mahal
  8. Library of Tamiz University.
  9. The personal library of scholar TN Ramachandran.
  10. The personal library of scholar TN Ramachandran.
  11. The libraries in Tiruchi, Madurai and Kovai.

Updates to the website (MRL) :

Following are new additions in MRL in August 2016 – October 2016:

A] Articles:

  1. AE-SathyanarayanaR-Art-Experience-IGNCA-0285
  2. AE-SathyanarayanaR-Kathakirtana-1983-0279
  3. AE-SharadaGopalam-A-Look-At-Ragalakshana-Madhura-Kala-0289
  4. AE-IsaacL-Musical-compositions-Source-Study-Music-Musicians-JMU-0286
  5. AE-NarayanaswamiPP-Subbarama-Dikshitar-Sangita-sampradaya-pradarsini-0288
  6. ATm-AnanthasubramaniamTG-SrI-nArAyaNa-tIrthar-TTDmagazine-0015
  7. ATm-AnanthasubramanianTG-icaiyil-iRaivaDivam-TTD-magazine-0018
  8. ATm-AnanthasubramanianTG-tyAgarAjarum-girirAjarum-TTD-magazine-0019
  9. ATm-kuRaLum-icaiyum-1997-0016
  10. ATm-VeerapandianSA-tamizicaiyil-surat-tIrmAnippu-paNNArAycci-arikkai-0017

The following articles are linked via the website

  1. AE-BhashyamS-Kallidaikurichi-A-Anantaraman-A-Ttribute-0317
  2. AE-BhashyamS-Kallidaikurichi-Anantakrishna-Iyer-A-Tribute-0316
  3. AE-HariArthanari-TViswanathan-A-Tribute-0315
  4. AE-Ravi-Sridhar-Tiruppamburam-NatarajaSundaram-Pillai-0312
  5. AE-Ravi-Sridhar-Tiruppamburam-Swaminatha-Pillai-0313
  6. AE-RaviRajagopalan-A-Tribute-to-a-Munificent-benefactor-0294
  7. AE-RaviRajagopalan-Andhali-0309
  8. AE-RaviRajagopalan-Bhaskara-Sethupathi-The-raja-of-Ramanathapuram-0301
  9. AE-RaviRajagopalan-Ghanta-A-raga-from-an-other-era-Oct-2016-0290
  10. AE-RaviRajagopalan-Hindolavasantam-The-sprightly-blossom-from-the-Royal-Gardens-of-Tanjore-0295
  11. AE-RaviRajagopalan-K.V.Ramachandran-Part-I-0306
  12. AE-RaviRajagopalan-K.V.Ramachandran-Part-II-0307
  13. AE-RaviRajagopalan-Madhavamanohari-0308
  14. AE-RaviRajagopalan-Narayanagaula-A-hoary-raga-from-a-distant-past-0291
  15. AE-RaviRajagopalan-Pallavi-Gopala-Iyer-0304
  16. AE-RaviRajagopalan-Pallavi-Gopala-Iyer-Part-II-0305
  17. AE-RaviRajagopalan-Ragachudamani-A-Crest-Jewel-Amongst-Ragas-0293
  18. AE-RaviRajagopalan-sAmajagamana-An-ode-to-a-banished-Tanjavur-King-0292
  19. AE-RaviRajagopalan-Tana-Varna-Margadarshi-Adiyappaiah-0296
  20. AE-RaviRajagopalan-Tarangini-The-Story-of-a-quaint-beauty-0297
  21. AE-RaviRajagopalan-The-mystery-about-Kambhoji-Part-I-0302
  22. AE-RaviRajagopalan-The-mystery-about-Kambhoji-Part-II-0303
  23. AE-RaviRajagopalan-Vamsavati-0310
  24. AE-RaviRajagopalan-Vijayavasantham-Mandari-0311
  25. AE-RaviRajagopalan-YamunaKalyani-A-journey-back-in-time-Part-I-0298
  26. AE-RaviRajagopalan-YamunaKalyani-A-journey-back-in-time-Part-II-0299
  27. AE-RaviRajagopalan-YamunaKalyani-A-journey-back-in-time-Part-III-0300
  28. AE-VidyaJayaraman-B-Rajam-Iyer-Interview—0320
  29. AE-VidyaJayaraman-Dr-V-V-Srivatsa-Interview-0319
  30. AE-VidyaJayaraman-Kallidaikkurichi-Mahadeva-Bhagavatar-Interview-0318
  31. AE-VidyaJayaraman-Kallidaikurichi-Vedanta-Bhagavatar-0314
  32. AE-VidyaJayaraman-PrasadKalyanasundaram-Ananda-Rama-Udupa-Interview-0321

B] Bibliography:

  1. Biblio-Music-Books-0006
  2. Biblio-pratyayas-chandas-sangita-Sources-0004
  3. Biblio-Rabindra-Sangita-0005
  4. Biblio-RaghavanV-Music-Dance-Drama-12nov1964-0007

C] Books:

Books in Bengali:

  1. BkBen-SaurindraMohanThakur-bhAratIya-nATya-rahasya-Drama-1878-0005
  2. BkBen-SaurindraMohanThakur-Victoria-gIti-mAlA-Pt1-1877-0006
  3. BkBen-SaurindraMohanThakur-yantra-kshEtra-dIpika-1879-0007

Books in English:

  1. BkE-DevalKB-Hindu-Musical-Scale-22-Srutis-1910-xrx-0179
  2. BkE-SambamoorthyP-Catalogue-Musical-Instruments-GovtMuseum-Madras-1931-0177
  3. BkE-SrinivasaIyerP-Articles-Carnatic-Music-1937-0178

Books in Tamiz:

  1. BkTm-KrishnamacaryaPt-sangIta-pArijAtam-Trnsltn-xrx-1951-0143
  2. BkTm-KuppusvamiSR-karNATa-sangItam-Pt1-1946-0134
  3. BkTm-KuppusvamiSR-karNATa-sangItam-Pt2-1946-0135
  4. BkTm-KuppusvamiSR-karNATa-sangItam-Pt3-1946-0136
  5. BkTm-KuppusvamiSR-karNATa-sangItam-Pt4-0137
  6. BkTm-KuppusvamiSR-karNATa-sangItam-v1-No3-0138
  7. BkTm-KuppusvamiSR-nUtana-tamiz-pADalgal-xrx-0139
  8. BkTm-MaralingamS-innicai-amudam-xrx-1990-0140
  9. BkTm-NarasimmaluNaiduSP-sangIta-cAttirattin-carittira-sangraham-xrx-1909-0141
  10. BkTm-RaghavachariamM-sangItAnanda-bodhini-xrx-1934-0142

We are very grateful to Dr. Mrs. G. Leelavathy for permitting us to upload the above Tamiz books onto the website

Books in Telugu:


D] Dissertations:

DissE-AnnapurnaS- Sankara Pallaki Seva prabandham of Sahaji-0011 

E] Manuscripts:

Manuscripts of Source Texts:

  1. MssSkt-bharata-sarvAtha-sAra-sangrahha-GOML-R1668-0038
  2. MssSkt-naTAnkuSa-GOML-3003-0040
  3. MssSktE-Sruti-siddhAnta-HulugurKrshNAcArya-0039
  4. MssTe-bharatArtha-candrikA-GOML-D13009-0041
  5. MssTe-bharatasArasangrahamu-GOML-D2557-0042
  6. MssTe-sakala-bharata-sAra-sangraha-GOML-R3564-0043
  7. MssTe-sangIta-nibandha-Hydbd-archive-24131-S20-1-0044

Manuscripts of Songs:

  1. MssGrTm-Music-Notebook-Unknown-Owner-0037
  2. MssTm-RSJayalakshmi-OMEN-tyagaraja-tamiz-trnscrptn-Xrx-0046
  3. MssTm-RSJayalakshmi-Pallavis-0045

F] Source Texts:

  1. TxtSkt-dattilam-Tvm-1930-0111
  2. TxtSkt-nATyaSAstra-WithAB-GOS-Vol2-1934-0114
  3. TxtSkt-nATyaSAstra-WithAB-GOS-Vol3-1954-0115
  4. TxtSkt-sangItarAja-v1-pAThyaratnakOSa-KunhanRaja-1946-0112
  5. TxtSkt-sangItaratnAkara-v1-trnsltn-KunhanRaja-1945-0113

G] Manuscript Catalog: MssCat-IGNCA-Music-Manuscript-Microfilms-0036

This is a catalog of microfilms containing the copies of manuscripts pertaining to music at the Reprography Unit of Indira Gandhi National Centre for the Arts – Southern Regional Centre (IGNCA-SRC), Bengaluru. These manuscripts are sourced from various manuscript libraries of India such as TMSSML, Thanjavur and GOML, Chennai.

We would like to convey our gratitude to Dr. Deepti Navaratna, Executive Director, and Mr. K. N. Valsakumar, JRO, Indira Gandhi National Centre for the Arts – Southern Regional Centre, Bengaluru for providing us the above catalog and permitting its upload on the website

Information about Periodicals (Journals and Magazines) in

The Tables of Content for the following periodicals for issues pertaining to the year 2016 have been added in the website:

  1. Ganakala –
  2. Sangita Kalavihara –
  3. Sangita –
  4. Shanmukha –
  5. Sruti –

We wish to remind our readers that scanned images of old issues of the following periodicals can be downloaded from the website (MRL):

  1. Journal of the Tamiz Isai Sangam –
  2. Layamani Layam –
  4. Shanmukha –
  5. Dhrupad Annual –
  6. Gayana Samrajya –
  7. Gunagrahi –
  8. Indian Music Journal –
  9. Iyalicai –
  10. Journal of the National Centre for Performing Arts –
  11. Journal of the Percussive Arts Centre –
  12. Nadarcana –
  13. Paanan –
  14. Phoenix –

We would also like to remind our readers that indexes of articles of the following periodicals are available in the website   –

  1. Samskrita Ranga Journal
  2. Journal of the Indian Musicological Society
  3. Journal of the Sangeet Natak Academy
  4. Shanmukha
  5. Kalakshetra Quarterly
  6. Journal of the National Centre for Performing Arts
  7. Journal of the Indian Musicological Soceity
  8. Journal of the Music Academy of Madras

International Conference on Music and Dance 2017:

Indiranagar Sangeetha Sabha (Regd. Trust), Bengaluru is organizing an International Conference on Music and Dance with the theme: : ‘Harmonic and Melodic World Music’ from 24th June 2017 to 28th June 2017. The Sabha has made a Call for Papers announcement.

The topics for the conference are:

  • Musical Forms of Carnatic Music
  • Musical Forms of Hindustani Music
  • Manodharma Forms in Indian Music
  • Western Classical Musical Forms – Vocal, Instrumental and Orchestra
  • Evolution of classical music for Indian Dance Forms
  • Influence of other genres of music on Indian Classical Music
  • Any other topic relevant to the theme of the conference

Authors are advised to submit a two-page (A4 size) extended abstract giving a short and focused title, author’s name(s), affiliations and address for communication with phone numbers/email addresses. The text of the abstract should include a brief introduction, scope, brief details, conclusions and references, if any, neatly typed in 1.5 line spacing.

Last date for the submission of abstract is 31st December 2016. For more information about the conference, please contact the Indiranagar Sangeetha Sabha at the following address:

“Purandara Bhavana”, 8th Main Road HAL II stage, Bangalore 560 008

Phone : + 91(80) 25215525



Any queries to in this regard shall not be entertained.

Research Grants from the Endangered Archives programme of the British Library:

The Endangered Archives Programme of the British Library offers a number of grants every year to individual researchers world-wide to locate vulnerable archival collections, to arrange their transfer wherever possible to a suitable local archival home, and to deliver digital copies into the international research domain via the British Library. The 2017 call for applications is now open. The deadline for submitting completed application forms is the 4th November 2016. Please visit  for more information.

Book Release:‘Sunaadam’ – book on Ghatam by Smt. Sukkanya Ramagopal

“Sunaadam: The Vikku Baani of Ghatam Playing” has was released in Bangalore on 25th September 2016. It has been authored by Vidushi Sukkanya Ramgopal, one of India’s top ranking ghatam exponents and the foremost disciple of ghatam wizard Sri Vikku Vinayakram.

Sunaadam is the first ever published textbook for ghatam learning. By capturing the quintessence of a unique playing style that has been perfected by ghatam maestro Sri T H Vikku Vinayakram, this book lucidly explains playing techniques and phrases exclusively for the ghatam. In doing so, it also serves as a valuable documentation of the richness of the Vikku Baani.

The book is written in English with a view to cater to a wide community of ghatam students and players across the world. It contains introductory chapters on the ghatam syllables and playing positions explained very clearly with the help of photographs. There is also a pronunciation and symbols chart along with a chapter on how to use the book. Following this are fundamental lessons in the four major talas – Aditala, Rupaka Tala, Misra Chapu and Khanda Chapu. The book also contains some very significant exercises that ghatam players could practice for speed, fluency and easy articulation. For the benefit of all students, audio references for all the lessons in the book are available on The book has been very tastefully designed by Sri K J Sachidananda, keeping in mind the needs of the users, with adequate space for students to make their own notes.

Sunaadam is a book that will serve as a friend, guide and companion to every student keen on understanding the unique style, nuances and techniques of the Vikku baani of ghatam playing.

“. . . The lessons in this book well capture my fingering techniques and style. Anybody can understand it easily . . . . I do strongly believe that by following this book, students will be able to play with a certain amount of proficiency . . .”

  • From the Foreword by Ghatam maestro Sri T H Vikku Vinayakram


By: Sukkanya Ramgopal

Published by: Sri Vikku Vinayakram School for Ghatam

306, Divya Landmark Apartments, No 9, MSR Main road, Yeshwantpur, Bangalore – 560022

Ph: 080-23607235 / 9845524280

Price: Rs 300/- (parcel charges extra)

For queries regarding the book or to get your copy, please write to

Facebook page:


Arati Rao, Vidya Jayaraman and N. Ramanathan


Music Research Newsletter 38

Music Research News Letter -38



The following research papers have been uploaded to the website :

Authored by Hema Ramanathan & Ramanathan N

  • Etymological Definitions and Technical Definitions of Musical Terms

Authored by John Clough, Jack Douthett, N.Ramanathan and Lewis Rowell

  • Early Indian Hepatatonic Scales and Recent Diatonic Theory

Authored by Ramanathan N & Priyashri V Rao

  • Mālavikā’s Dance in Mālavikāgnimitram of Kālidāsa

Authored by Ramanathan N

  1. Karnataka and Hindustani Music
  2. Emendations to the GOS text of Nāṭyaśāstra-vol4
  3. Types of Pūrvaraṅga
  4. Interview with Vina Vidvan S Balachander
  5. Musicology in India
  6. Commentaries in the Samskrta Textual Tradition in Music
  7. Sadarāgacandrōdaya of Paṇḍarīkaviṭṭhala
  8. Music Texts: Śāstra and Śāstra-Sampradāya
  9. Lalgudi Jayaraman’s Music- Guided Listening Sessions
  10. Lakṣya and Lakṣaṇa in Music
  11. The Changing Concept of Tāla in North India
  12. Tāla-s in Hindustani Music

Dissertations and Dissertation Lists:

Scholars interested in sharing their Ph.D., M.Phil. Dissertations or Dissertation Lists of their institutions through the website are welcome to send the soft copies of the same or link of their website to

Updates to the website (MRL):

Following are the highlights of other new additions in MRL in January 2016 – July 2016:

A] Articles:

  1. AE-BhandarkarPR-Kudumiyamalai-Inscription-on-music-0257
  2. AE-DavidDennen-Metre-Prosody-Orissi-Music-2013-0258
  3. AE-DavidDennen-NayakAKJ-Shyamamani-Devi-Odissi-Singer-2012-0259
  4. AE-DavidDennen-Odisha-Music-changing-conceptions-2012-0260
  5. AE-DavidDennen-Odissi-Music-Third-Classical-Stream-2012-0261
  6. AE-GerryFarrel-Gramophone-Industry-India-1993-0262
  7. AE-MishraR-Hindustani-Raga-System-2014-0265
  8. AE-Omar-Khokher-North-Indian-Music-in-Classroom-2001-0266.
  9. AE-PadmaSugavanam-Kohala-Jagadekamalla-2010-0267
  10. AE-RameshGangolli-catur-paNDita-bhAtkhaNDE-0270
  11. AE-SamuelMcClelland-rAga-and-rasa-0271
  12. AE-SayantiChakraborty-DeD-Pattern-Classification-Ragas-2012-0272
  13. AE-StephenHughes-Music-Boom-South-India-2002-0273
  14. AE-Varadarangan-Acoustic-Properties-Mridanga-Karunya-0274
  15. AE-Varadarangan-Acoustics-Percussive-Instruments-Karunya-0275
  16. AE-Varadarangan-Frequency-Chart-Music-Karunya-0276
  17. AE-Varadarangan-References-Karunya-0264
  18. AE-Varadarangan-Studies-Loaded-Circular-Membranes-Karunya-0269

B] Bibliography:


C] Books:

Books in English:

  1. BkE-DeviPrasad-Art-Basis-Education-0164
  2. BkE-JosephJordania-Origins-Choral-Singing-Intelligence-Language-Speech-2006-0165
  3. BkE-RanganathHK-KarnatakaTheatre-1960-0168
  4. BkE-Ravi-Sridhar-compld-Sri-Muthuswamy-Dikshitar-0169
  5. BkE-VinodVidwans-Doctrine-Shruti-in-Indian-Music-2016-0171

Books in Telugu:

  1. BkTe-RamanujaDasa-tyAgarAja-kRtulu-1885-0126
  2. BkTeE-tirumala-SilAgItam-and-audio-2014-0119

D] Dissertations:

  • DissE-KatzJB-sangIta-nArAyaNa-Critical-Edition-Commentary-1987-0065

  • DissE-RafaelReina-Karnatic-Rhythmical-Structures-2014-0066

  • DissE-AnnapurnaS-Sankara-Pallaki-Seva-prabandham-Sahaji-011 

E] Manuscripts:

Manuscript related to Source Text:


We are happy to place the following Music notebooks of Vidvan (Late) Kumbhakonam Viswanathan of Umaiyalpuram Sishya-parampara of Tyagaraja.

  1. MssTmGr-KumbhakonamVisvanathan-NoteBook-1-0035a
  2. MssTmGr-KumbhakonamViswanathan-NoteBook-2-0035b
  3. MssTm-KumbhakonamViswanathan-NoteBook-3-0035f
  4. MssTm-KumbhakonamViswanathan-NoteBook-4-0035g
  5. MssTmGr-KumbhakonamViswanathan-NoteBook-5-pt1-0035c
  6. MssTmGr-KumbhakonamViswanathan-NoteBook-5-pt2-0035d
  7. MssTmGr-KumbhakonamViswanathan-NoteBook-6-0035e
  8. MssTm-KumbhakonamViswanathan-NoteBook-7-0035h
  9. MssTm-KumbhakonamViswanathan-NoteBook-8-0035i
  10. MssTm-KumbhakonamViswanathan-NoteBook-9-0035j
  11. Mss-Drawing-KumbakonamVisvanathan-UmaiyalpuramSvaminathayyar-0035
  12. MssE-Kumbhakonam-Brothers-Bio-0035k

We are grateful to the members of the families of the famous ‘Kumbhakonam Brothers’, namely, Kumbhakonam Sri Sankaran and Kumbhakonam Sri Viswanathan – Sri S.Venkatraman, Smt.V. Nandhini, Miss. Srivaralaxmi Maya for making available the Music notebooks of the vidvans in their possession and also to Dr. Aravindh Ranganathan for all the help in this regard. The family has been kind enough to share the following too.

  1. Manuscript – MssTe-tAnam-gIta-Kumbhakonam-Vishwanathan-0036
  2. Book – BkTe-RamanujaDasa-tyAgarAja-kRtulu-1885-0126

We are grateful also to Vidvan B.Krishnamurti for sharing his valuable handwritten copy of the Umaiyalpuram pāham of the compositions of Tyagaraja.

  1. MssTm-BKrishnamurti-Tyagaraja-kirtanas-Umaiyalpuram-0034
  2. MssTm-BKrishnamurti-Tyagaraja-kirtanas-Umaiyalpuram-0034a
  3. MssTm-BKrishnamurti-Tyagaraja-kirtanas-Umaiyalpuram-0034b

F] Source Text:

  • TxtSkt-nATyaSastra-withAB-GOS-vol4-1964-0110

Download links:

A] Following are links to freely downloadable books:

  1. Link to a pdf file of Saṅgītaratnākara of Śārṅgadēva –
  2. Link to book on Sadashiva Brahmendra Kritis–

B] Following is a link to rare recordings from the ‘Odeon Record Label recordings from the Indian subcontinent’ Collection of the British Library:

C] Following is the link to a site which is related to Odisa music.

The articles on Odisa music have been placed in the articles section as mentioned above.

We would like to thank Mr. PS Gnanaprakash for providing us many links including that of the site related to Odisa music.

D] Other Music Sites:

i) Following is the link to the Tirumala Tirupati Devasthanams website with lyrics and audio recordings for Annamācārya Saṅkīrtana-s:

ii) Following is the link to a site which is primarily a collection of audio files containing raga snippets, songs, quizzes and many more, all aimed at demystifying the process of appreciating and understanding Carnatic music:

Queries on South Indian Classical Music:

Any queries on South Indian Classical Music can be sent to These would be answered by Dr. TS Sathyavathi, renowned vocalist and scholar. For more information, please write to . Any queries to will not be entertained.

Request for Proposals: Arts Practice Programme of India Foundation for the Arts:

India Foundation for the Arts (IFA) is inviting proposals under its Arts Practice programme for the year 2016-2017.

The Arts Practice programme supports critical practice in the arts. It encourages practitioners working across artistic disciplines to question existing notions through their practice. The programme seeks to establish a culture where arts practice is constantly being shaped and articulated through experimentation, critique and dialogue.

This programme does not follow an annual schedule, and welcomes applications through the year. IFA specifically encourages projects in Indian languages other than English, and Proposals can be sent in any Indian language including English.

For more information, please click on the following link:

Please write to Sumana Chandrashekar at or Shubham Roy Choudhury at for any questions or enquiries. Any queries to will not be entertained.

Information about the Publication: The Archaeology of Bhakti II. Royal Bhakti, Local Bhakti

Author: edited by Emmanuel Francis & Charlotte Schmid

Publisher:Institut Français de Pondichéry / Ecole française d’Extrême-Orient


Pages:ix, 609 p.

Series:Collection Indologie n˚ 132


ISBN:978-81-8470-212-5 (IFP) / 978-2-85539-221-9 (EFEO)

Price:1300 Rs (56 €)

This volume is the fruit of the second workshop-cum-conference on the “Archaeology of Bhakti”, which took place from 31st July to 13th August 2013 in the Pondicherry Centre of the École française d’Extrême-Orient. “Royal Bhakti, Local Bhakti” was the topic of this scholarly encounter and is the central theme of the present volume, which attempts to clarify the roles of kings, local elites and devotional communities in the development of Bhakti.

For more information please click on the link


Arati Rao, Vidya Jayaraman and N. Ramanathan