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Transformation of Folk Tunes into Ragas of Classical Music, by SAK Durga

Ramayana Theatre in India and South East Asia, by S A K Durga, 1977

Nagaswaram Rajaratnam Pillai, by E Krishna Iyer, pub. in Swatantra, 19480424

Contribution to the theory of Rasa from the fourth chapter of the Abhinavabharati, by Elisa Ganser

Performance Traditions in India, by F P Richmond and R E Dunham

Voice Culture and Singing by Friedrich Brueckner Rueggeberg

Law in Music , by G Dhanaraj, 1961

Kalam tanda Tala Vadivangal, by Ganapati Sthapati

Evaluation Techniques in Assessing Post-Graduate Studies in Music, by M R Gautam

The early days of the gramophone industry in India: Historical, social and musical perspectives, by Gerry Farrel

The Natyasastra and the Abhinavabharati, by M M Ghosh

Musical Instruments from Pallava Sculpture, by Gift Siromoney

Music and Musical Instruments: New Light on Instruments of Ancient Tamil Country, by Gift Siromoney

The Bharata Adi-Bharata Problem and the Ms of Adibharata, by P K Gode

Caturvidha Vadyon mem Mrdanga, by Gopala Bhatta

The Birthplace of Sri Tyagaraja by Gurukrupa (B M Sundaram)

T Viswanathan: A Tribute, by Hari Arthanari

Karnatic Music: Its Philosophy, by Hari Nagabhushanam

Musical Compositions of Tyagaraja in Madhyadi and Desadi Tala-s, by K Harish Narayan

Durational, accentual, syllabic rhythms in 19th -century Vocal Music: Sanskrit, Italian, Telugu, by Harold Powers

Scholar, Teacher, Colleague, Friend: [Prem Lata Sharma], by Harold Powers

The interface of verbal and musical rhytms in Tyagaraja's kirtanams, by Harold Powers

Etymological Definitions and Technical Definitions of Musical Terms, by Hema Ramanathan & N Ramanathan

Science and Music vis-a-vis Science in Music, by Hema Ramanathan and N Ramanathan

Sanskrit in Carnatic Music: The Songs of Muttusvami Dikshita, by Indira V Peterson

Vijayanagar -A Seat of Music, by L Isaac

Musical Compositions: Source for the Study of Music and Musicians, L Isaac

Vina, Sruti, Svara and Raga in Classical Music with a Discussion on their Vedic Roots, by R N Iyengar

Indian Philosophy of Music, by William J Jackson

Navagraha Kirtanas of Muttuswami Dikshitar, by S S Janaki, 1993

60 years of Akashvani Sangeet Sammelan, by Jawahar Sircar

Bharatacattiram of Arabatta Navalar: A Note, by R S Jayalakshmi

Bharata Senapatiyam of Unknown author: A Note, by R S Jayalakshmi

mahAbharata cUDAmaNi of Unknown Author: A Note, by R S Jayalakshmi

sAdhAraNa gAndhAram, by R S Jayalakshmi

A Teaching Methodology for Tanam, by R S Jayalakshmi

arabatta nAvalar iyaRRiya bharata-Cattiram, by R S Jayalakshmi

bharata sEnApatIyam, by R S Jayalakshmi

mahAbharata cUDAmaNi, by R S Jayalakshmi

Musical Systems of Ancient Tamils - 1, by Salem S Jayalakshmi

Musical Systems of Ancient Tamils-2, by Salem S Jayalakshmi

Methodology of Teaching Indian Music: The Problem, A Statement on the Issues Involved, by Jaysri Banerjee, 1983

tEvAra kAlattu ADal magaLir, by Jnana Kulendran

Three Important Essays on Hindustani Music, by Joep Bor

Natyasastra with Abhinavabharati vol.2, GOS, edited by Ramakrishna Kavi, Book Review by E H Johnston

The Phonograph in India, by G N Joshi

Importance of Sahitya in Music, by Kallidaikkuricci S Venkatesan

Bengaluru Nagaratnamma by D V Gundappa - Tamiz Translation

Some Reflections on the Notations of Vedic Chant, by Walter Kaufmann

Madurai Mani Ayyar, by Kausika pub. in Swatantra 19460727

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