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Collection: Articles
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How to Write a Journal Paper, by Arati Rao
Pazan Tamizicai, by Vai Nataraja, 1963
Sruti Vinai, by Svami Vipulananda, 1942
Mullaippan Araycci, by Ku Kodandapani Pillai
Law in Music , by G Dhanaraj, 1961
Sangita Literature, by V Raghavan
Rare Sources of Information on Svati Tirunal, by Achuthsankar S Nair
Sruti-Svara-Grama Yyantra, by James Arnold, 1974
Navagraha Kirtanas of Muttuswami Dikshitar, by S S Janaki, 1993
Bhagavata Mela in Thanjavur, by Takako Inoue
Madurai Mani Ayyar, by Kausika pub. in Swatantra 19460727
Nagaswaram Rajaratnam Pillai, by E Krishna Iyer, pub. in Swatantra, 19480424
Study in Instruments Making - Percussive Arts Centre, Bengaluru
R & D Activities pertaining to Leather and Woods used for Percussive Instruments - Percussive Arts Centre, Bengaluru
The Origins of the technical senses of the word RASA, by A K Warder
Popular and Classical, by V Raghavan
Methodology of Institutionalised Teaching of Music, R Sathyanarayana
Pandait Tamizicaiyil Pangal, by P T Chelladurai
Tirukkuralil Icaiyiyal, by S A Veerapandiyan
Kudumiyamalai Inscription on Music, by P R Bhandarkar
Metre and/or Prosody: The Double History of Raga in Odisha Music, by David Dennen
Shyamamani Devi on Odissi Music and her Life as a Singer, by David Dennen & Amir Kumar Jeetendra Nayak
From 'Odia' to 'Odissi:' Changing Conceptions of Music in Odisha, by David Dennen
The Third Stream: Odissi Music, Regional Nationalism, and the Concept of 'Classical', by David Dennen
The early days of the gramophone industry in India: Historical, social and musical perspectives, by Gerry Farrel
References to Articles on Drums, by K Varadarangan
Similariy and Dissimilarity in the 'Raga' system of Hindustani Sastriya Sangeet, by R Mishra
North Indian Music in the Classroom, by Omar Khokher
Kohala and Jagadekamalla, Padma Sugavanam
Experimental and Theoretical Studies on Loaded Circular Membranes, by K Varadarangan
Catura Pandit: V N Bhatkhande, by Ramesh Gangolli
Raga and Rasa, by Samuel McClelland
Pattern Classification of Indian Classical Ragas based on Object Oriented Concepts, by Sayanti Chakraborty and Debashis De
The 'Music Boom' in Tamil South India: Gramophone, radio and the making of mass culture, by Stephen P Hughes
Acoustic Properties of the South Indian Mrudanga, by K Varadarangan
Acoustics of Percussive Instruments, by K Varadarangan
Frequency Table for South Indian Classical Music, by K Varadarangan
Kathakirtana: A Study in Evolution and Theme, by R Sathyanarayana, 1983
A unified theory of Art Experience: Application to Music -1, by R.Sathyanarayana
A Look at Raga Lakshana, by Sharada Gopalam
Musical Compositions: Source for the Study of Music and Musicians, L Isaac
Subbarama Dikshitar's Sangita Sampradaya Pradarsini: An Overview, by P P Narayanaswami
Sri Narayana Tirthar, by T G Ananthasubramaniam
Kuṟaḷum Icaiyum, of Unknown Author
Tamizicaiyil Curat Tirmanippu, by S A Veerapandian
Icaiyil Iṟaivaḍivam, by T G Ananthasubramanyam
Tyagarajarum - Girirajarum, T G Ananthasubramanyam
Ghanta: A Raga from an other era, by Ravi Rajagopalan
Narayanagaula: A Hoary Raga from a distant past, by Ravi Rajagopalan
Samajagamana: An ode to a Banished Tanjavur King, by Ravi Rajagopalan
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